Do you feel differently about that now?
Well I don’t feel that differently about it now, because I still don’t put my paintings on the boards (Editor's note: since this interview was recorded Nick used one of his paintings for Casper Brooker's pro board).
There have been times where people have said 'oh put that on a board it looks really cool', but I don’t see a link at this stage. For me it was for more just about really engaging with what it means to make a skateboard and I’d never had to think about it in that intense way. I mean it took me a while, about two months, to figure out how to do that for the first Isle series.
So you basically hadn’t considered designing boards full stop…
No, because it takes quite a lot mental energy to consider a concept for a board and I’d never even fantasised or imagined that. It wasn’t in my mind. Until someone said you should do it, it forced me to fully engage with it and think 'ok these are the parameters I have to deal with, these are the problems I need to solve'.
And did Shier fully back your ideas from the beginning?
Yeah he was very trusting, he had no idea what to expect really. We had a chat about it. It was still really very sketchy, it was very like 'what the fuck, what are we going to do for our first series?'. We didn’t really do that much of a brand exercise at the start like ‘this is what we are going to be or this is what it represents’. We tried, but we're skaters, we're not that professional, we don’t know how to work like that. If we did work like that then maybe it would feel more wooden and constructed.
Did the reception of the first series help you to have confidence in your work?
Yeah it spurred me on and actually I’ve just realised that a major point is that I used to run a gallery in my flat and show contemporary art. So I knew what it was like to show work on white walls and organise the work of different artists. I have a massive interest in that world so I think that crossed over into the way I treat the boards, almost like the white wall in my gallery.
That make sense as to why there is a lot of white in Isle’s imagery.
Yeah. That white is supposed to be like a gallery wall.